Publications Archive

Cristina Garrido. The Origin of Forms is the catalogue resulting from the artist’s exhibition at Museo Centro de Arte Dos de Mayo, held from 10 June 2023 to 28 January 2024.

This book documents the exhibition in which the artist Jon Mikel Euba carried out a series of interventions on the building’s structure, based on an analysis of the museum’s spaces, as a form of on-site documentation.

Everything I See Will Outlive Me brings together the two-part retrospective comprising Everything I See Will Outlive Me, held at Sala Alcalá 31, and In the Violet Hour at Museo Centro de Arte Dos de Mayo, both organised to mark the 70th anniversary of Juan Muñoz’s birth.

Published to mark the exhibition They Saw Their House Become Fields at the Museo Centro de Arte Dos de Mayo in 2023, this publication offers an in-depth look at June Crespo’s artistic practice and unravels the particular spatial and material relationships at play in her work.

The catalogue that accompanies the exhibition Decline, which was on at the Museo Centro de Arte Dos de Mayo between February and May 2023, is the first to examine his work and offers a complete overview of his oeuvre. It includes a comprehensive selection of his previous work as well as new pieces created in connection with the exhibition. With contributions by Peio Aguirre, Jussi Parikka, Bernardo José de Souza and Laura Tripaldi.

To mark the exhibition Mitsuo Miura. Almost 400 m² for Two Landscapes, we have published, together with DA2 in Salamanca, a book that looks back over the career of this Japanese artist who has been living in Spain since the 1960s. With texts by Eva Lootz, Glòria Picazo, Sergio Rubira and Tania Pardo.

Dedicated to the exhibition Martin Wong. Mischievous Mischief, this book is an important contribution to the exhibition.

This book was designed to form part of the exhibition of the same name, curated by Catalina Lozano and co-designed by Patxi Eguíluz.

Aquí puedes escuchar el disco-relatoría El triángulo que hizo Julián Mayorga a raíz de lo que sucedió en el proyecto sobre escucha entre un colegio, un conservatorio y un coro experimental del museo en el curso 2019-2020-2021 que se alargó por la pandemia y que trajo miles de  sonidos inauditos y espectaculares.